
BioWare Closure Shadows Gaming’s Blockbuster Autumn
EA’s most prominent move since its August buyout ends the next Mass Effect while Call of Duty and Grand Theft Auto VI test the market’s appetite for increasingly concentrated AAA bets.
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EA’s most prominent move since its August buyout ends the next Mass Effect while Call of Duty and Grand Theft Auto VI test the market’s appetite for increasingly concentrated AAA bets.

The hit documentary renews interest in Theranos, but its intimate portrait risks eclipsing the laboratory limits — and healthcare frustrations — that made Holmes’s promise so seductive.

At the Pnyx, the US secretary of state framed national power as the foundation of Atlantic cooperation — while leaving Europe to test that promise against defence, trade and burden-sharing disputes.

Zoe Kazan’s seven-part Steinbeck adaptation, led by Florence Pugh, arrives as streamers and broadcasters crowd the season with legal warfare, literary horror, Nordic crime and final chapters.

The political theorist revisits the desire to be seen — and warns that democracies cannot answer resentment with prosperity alone.

Disney’s 18 December 2026 cinema date turns the next Avengers film into a test of whether Marvel can still convert vast box-office reach into a must-see theatrical event.

Michael Connelly’s *The Hollow* gives autumn 2026 one firm date in the diary. Beyond it lie a nonfiction season still taking shape and fantasy’s most famous unanswered question.

A first loan of the medieval embroidery to the British Museum is being framed as a Franco-British diplomatic breakthrough — and as a closely watched test for the future of international museum exchange.

After nearly half a decade away from cinemas, Marvel's flagship superhero prepares for a fresh start—one that promises to explore Peter Parker's isolation and the weight of forgotten heroism.